Welcome to chessopenings.com. Today is all about Alekhine's Defense, which
is a dangerous reply to the king's pawn opening. Alekhine's Defense begins
with the moves pawn to e4, and knight to f6. With this move knight f6,
Black is trying to lure White's central pawns forward in order to make them
into targets for his own attack. Let's take a look. Alekhine's Defense
begins with the moves pawn to e4, and knight to f6. Now, for a long time no
one considered this move, knight to f6, as a serious reply to the king's
pawn opening. "After all," they asked, "doesn't this just allow White to
gain extra space with tempo by kicking the knight around?" Indeed, White is
already guaranteed an opportunity to bring both of his pawns into
aggressive placement in the center after the common moves, pawn to e5,
knight d5, and pawn d4. So literally, for almost nothing White already gets
two central pawns, one of the main goals of the opening.
And so, for a long time this position was thought to just clearly favor
White thanks to this big advantage in central control, and I also want to
point out that in this position, White can increase his space advantage
with even more gain of time with the move, pawn to c4. So it really looks
like Black is kind of off his rocker to play the Alekhine's Defense, but in
the 1920s, a vocal set of players known as the
Hyper-Modernist suggested the idea that it wasn't necessary to occupy the
center with pawns, but that instead you could develop your pieces to attack
the center from afar.
It was with these ideas in mind that Alekhine, and a group of other leading
players at the time developed this defense, which we now call the
Alekhine's Defense. In the Alekhine's Defense Black has three basic
objectives. First, he wants to lure the White pawns forward. Secondly, he
wants to complete his development, and only third does he want to begin a
direct counterattack against the central squares. So now, in this position
Black's standard move is pawn to d6. It didn't take long for White to
discover three main methods of playing for the advantage in this position.
He can play pawn to c4 chasing the knight back to b6, and then he can
choose between two setups here. He can either aggressively try to build an
attack with the move, pawn to f4, which is known as the Four Pawn's Attack,
or he can simply reply with pawn takes pawn on d6, and this relinquishes a
portion of his space advantage, but he aims for a more solid position,
which he can gradually strengthen, and this is known as the Exchange
Variation.
In this position, Black can recapture with either pawn leading to different
sort of positions which are generally thought to a little bit better for
White, but nothing too overwhelming. But after much practice, White players
have more or less settled on this simple move, knight to f3, and this is
called the Modern Variation. With the Modern Variation, White is simply
adhering to classical principles of development, and is remaining flexible
about whether or not he want to play c4, or whether or not he wants to
capture on d6, and he's going to remain flexible about these decisions
until the proper moment.
Now, there are some unexpected benefits to delaying this move, pawn to c4,
which is that Black also needs to take into account White's ability to
transfer a bishop to the square c4 if he decides that that's going to be
the most appropriate option. In fact, this sets Black a funny little
problem, because if you would just simply glance at this position you'd
probably suggest that Black play the move, pawn to g6, just preparing to
bring out his dark-squared bishop, complete castling, put pressure on the
center.
However, White actually has a very interesting and very strong approach to
this. In this possession, he can now play bishop to c4, since he's left
that square available for his bishop, and now after the natural retreat,
knight b6, bishop b3, bishop g7, it was discovered in this position that
White has an outstanding game after this move, knight to g5, starting an
attack on the f7 point.
Now, ordinarily, Black would simply castle in the event of something like
this, but in this position White has a way to add that extra bit of
pressure to f7 by playing the move, pawn d6. Of course, I want to point out
very quickly that ordinarily it would not take twice on f7. Giving up two
minor pieces for a rook and pawn is normally favorable for Black in this
situation. So it's not...this is not the idea that White is counting on
when he plays knight to g5. Instead, what's he's counting on in this
position is e6, bringing another attacker to the f7 point, and in fact, if
Black captures the pawn, pawn takes pawn, but he has no way to avoid
material loss after the move, bishop takes pawn on e6, and now certainly if
Black would capture on e6, then knight would arrive on e6 with a fork, and
after king h8 White has two excellent options; knight f7 would win
material, but probably even stronger would be h4 trying to crack open the H
file with a very, very strong attack in this position.
Of course, Black does not have to take the pawn on e6, but he is kind of
short on options. The only other strong move would be pawn to f6, but of
course, the knight will appear on f7, and this is a really, really,
unpleasant situation for Black with this knight sitting in the heart of his
position, and this pawn on e6. This is not how Black would like to see this
position play out. So, it turns out in this position that Black really
can't afford to castle king side in this position, and he's got to do
something to block up this attack by the knight to the bishop on f7. Now,
the move, pawn to d5, is probably a little bit too submissive, as this is
just takes the pressure right off of the center. Now, you even lost some of
the utility of this bishop development here, and ordinarily White would
just play something like the typical f4, and he'll always be ready to
retreat the knight, keep his center very well consolidated, and this is not
exactly Black's most aggressive option here, or his most challenging option
for White.
Instead, Black normally plays the move, pawn to e6, if he knows the traps
of non- castling. Then now after this move e6, a typical method for White
to keep his initiative going is probably going to be some move like queen
f3 attacking on f7, and now after the move, queen to e7, White plays knight
e4. Excellent move, which is preparing to bring this bishop to g5. We're
just not giving Black any moment for a breather here. Whereas, if instead
Black castles here, the idea wouldn't be to play simply queen to h3, an
aggressive pulse for the queen, and now after h6, knight f3 with an attack
on h6, and Black is forced to weaken his king side, and White has some
prospects of attacking this position.
The variations we've just looked at are interesting for a couple of
reasons. Firstly, we've shown that there is no end in sight to the hassles
that Black can expect if he plays the move, pawn to g6, and White knows
about this idea of rapidly attacking f7. Secondly, we've also shown one of
the key advantages of this advanced pawn on e5, which is its ability to
make its way into the attack with the move, pawn to e6, at a moment's
notice if necessary. So for a long time in this position, players on the
Black side focused mostly on this move, bishop g4, in this position. With
this simple pin, Black threatens to capture an important defender of the
central pawns, the knight on f3, and it's through this means that he hopes
to slightly increase his pressure on the center.
Now, White usually continues with development, and the interesting thing is
that Black still can't really get away with this move, pawn to g6, as White
still gets a sudden and overwhelming attack after the move, knight g5, a
very strong move here, and now after bishop takes e2, queen takes e2. The
threat of e5 to e6, there's that pawn that we just talked about is a real
bummer in Black in this position. So Black must submit himself, actually,
to a combination in this position in order to just avoid just being
completely squashed with this move e6. He's got to play h6 here, but now
White has no problems sacrificing a piece. Knight takes f7, king takes f7,
queen f3 check, king e6, and now just the move, pawn to c4, and here he
hasn't exactly said that White is winning in this position, but again, I
think there is no question that this is not what Black was looking for in
the opening. White certainly has at least enough compensation for his
piece.
Instead after this move, bishop to e2, instead of playing pawn to g6, Black
ordinarily plays pawn to e6. Then now after castling, and bishop to e7,
White will play something, for example, pawn c4, knight b6, and knight to
c3, and I think it looks pretty good, that White's play has gone pretty
smoothly, and it's gone harmoniously, and Black is not developed much
counterattack on the center for the space advantage that he's conceded to
White. So this is looking, once again, pretty nice for White. Backing up,
it's safe to say that White is looking forward to some sort of advantage if
Black plays the moves, pawn g6, or bishop to g4 in this position, and I
think it's due to some of these factors, that the modern Alekhine's Defense
players of today have begun preferring this move pawn takes pawn in the
center.
Now, White has an option about how to recapture this pawn, but it's
generally been found that if White takes with the pawn, pawn takes pawn in
the center. Now, Black plays bishop g4, bishop b2, and knight d6, and
because of this pressure on the e5 pawn, which is already very
uncomfortable to defend, Black already gets a very comfortable game. So the
major battleground of this line occurs after the move knight takes pawn.
With this move, White still keeps a space advantage in the center, and he's
keeping Black's options for development somewhat restricted. Here also it's
important to keep in mind that White preserves both options of either
bishop to c4, or pawn to c4.
There are a couple of ways he can develop his position from here. On the
other hand, the position is not too scary for Black, since he can always
look for moves, like knight d7, trying to exchange off knights at some
point, and can generally just develop his pieces pretty solidly here. So he
shouldn't run into too many difficulties, if he's careful. So a standard
way is to go, for example, would be pawn to g6, and now bishop c4, of
course, and playing pawn to c4 immediately would also be an option in this
position, and now pawn to c6, castling king side, bishop g7, rook e1. All
very natural moves here, and castling king side, and now White's typical
plan that he selects here is generally bishop to b3 looking to play the
move, pawn to c4, knight to c3, and this is all very natural, and there are
a lot of games that should have been playing in these positions, which are
very interesting.
Black has definitely developed some very interesting ways to get counter-
play. Whereas, there is some very instructive examples of how White can use
his spatial advantage, and it's important to keep in mind that Black does
have a dark-squared bishop bearing down on the long diagonal, and so the
position is asymmetrical, and if White makes any sort of misstep, it's very
easy for the game to be become very active, and very loaded, and Black
could very quickly get some counter-play in these kinds of positions.
And this is what still attracts some players to plays the Alekhine's
Defense. I hope you've enjoyed this brief tour of the Alekhine's Defense.
In this video we have taken a look at some of the key ideas in the
Alekhine's Defense, but we've also taken a look at the modern variation.
This is White's most solid way to gain a slight advantage against the
Alekhine's Defense, and I highly recommend this if you find yourself on the
White side of the Alekhine's Defense. On the other hand, if you play this
opening with Black, you're taking on some big risk, but you may be rewarded
handsomely, since if you play courageously, you may be able take White down
in these asymmetrical positions which arise. You may also find that your
opponent is less well prepared for the Alekhine's Defense as opposed to
something like the Sicilian, or the King's Pawn game, and thirdly even if
you find yourself in a few uncomfortable positions by studying those
positions, you'll definitely learn a lot about chess, and these can be a
tremendous source of learning in the Alekhine's opening.
Thank you for watching, and I can't wait to see you again.
Dereque Kelley - Copyright © 2013 ChessOpenings.com